Ragtime

The musical Ragtime premieres at the Open Air Theatre, and its turn-of-the-century, heavily allegorical themes have been accentuated to the full in Timothy Shader's production. The ragtime music is a fresh and interesting twist on the classic musical, and it is produced and performed exquisitely - but is it all a little too heavy-handed? At the Regent's Park Open Air Theatre.

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The musical Ragtime premieres at the Open Air Theatre, and its turn-of-the-century, heavily allegorical themes have been accentuated to the full in Timothy Shader's production. The ragtime music is a fresh and interesting twist on the classic musical, and it is produced and performed exquisitely - but is it all a little too heavy-handed?

The piece focuses on three families, each representing a different facet of the American Family: a white, middle class family of WASPs; a young black man and his estranged, pregnant girlfriend; and an immigrant father and daughter. Their stories interweave with each other and numerous famous faces as the WASPs learn to be a little less repressed, the black family faces numerous tragedies and the immigrant family makes it big in Hollywood - I mentioned that this was an allegory already, didn't I?

There is a genuinely tragic story here in the doomed romance between Coalhouse and Sarah, the black family mentioned above, but most of the piece is made up of vignettes of the characters' lives, little moments (interspersed with song) that try and capture the spirit of America - at least, that's what they keep singing about! Designer Jon Bausor has taken this to heart in his monumental stage design as well, featuring many a corporate logo and symbol scattered over the detritus of a post-apocalyptic building site, all overlooked by the stern gaze of Barack Obama's campaign poster - with a hole seared through the middle.

As may be evident from my tone so far, I find it hard to enjoy such po-faced symbolism - for example, I really didn't need to have the WASP family named Father, Mother, Little Brother et al. to get the concept - but the piece quickly calms down and focuses on the various smaller stories within the piece. The white family's slow breakdown is entirely understandable, and the sense of the world changing around them and Father's refusal to move with the times is simply and effectively done - there are great performances from David Birrell and Rosalie Craig, including her powerful delivery of "Back to Before". David Marquez is also excellent as Tateh (the Jewish immigrant), playing the rags to riches story with aplomb.

However, the stars of the show are Rolan Bell and Claudia Kariuki, performing the tragic story of Coalhouse and Sarah with fiery passion and too many tearful ballads and raucous dance numbers to name. Bell is no stranger to singing and dancing thanks to Fela!, and it's hard to believe this is Kariuki's professional debut - although she does have less to do than her exceptional male co-star, who should be expecting award-nods. Their tragic story overshadows the heavy-handed symbolism easily.

It's not a musical that's going to appeal to everyone - the ragtime music's off-kilter rhythm doesn't make for easy tunes to hum along to, but it does grow on you and offer a vibrant change from some of the more 'trad' musicals. I really can't get behind something quite so 'meaningful' (not to ruin the ending, but all three families end up becoming one in the melting pot that is America... groan), but when the story cuts through the symbolism, it is enjoyable and entertaining. And if you haven't been to the Open Air Theatre before - it's magical.

Tragic, poignant and ultimately triumphant, Ragtime is a modern classic. Set at the turn of the 20th century, this powerful musical unites three families separated by race and destiny. The timeless contradictions of wealth and poverty, freedom and prejudice, and hope and despair, make this a theatre experience not to be missed. Last season's production of Crazy for You received more five star reviews than any other West End musical that year, and previous productions of Hello, Dolly! and Into the Woods each won the Olivier Award for Best Musical Revival.

Regent's Park Open Air Theatre

Regents Park, Inner Circle, Westminster
London Greater London United Kingdom NW1 4NU

Performances at the following times:

Monday to Saturday 7.45pm, Wednesday, Thursday and Saturday 2.15pm



Duration: 2hrs 50mins includ. interval
Image credits:
Rolan Bell (Coalhouse Walker) and Claudia Kariuki (Sarah) in Ragtime © Johan Persson
Claudia Kariuki (Sarah) in Ragtime at Regent's Park Open Air Theatre © Johan Persson
Lila Heller (Little Girl) and John Marquez (Tateh) in Ragtime © Johan Persson